lunes, 13 de julio de 2009
"The pleasure of reading amazing stories"
lunes, 6 de julio de 2009
"Contribution to the analysis of literature for children"
Vladimir Propp belonged to a German family who was born on April 17th in St. Petersburg in 1895. He attended St Petersburg University, where he had Philosophy in German and Russian languages. After his graduation, he began to teach both at secondary school to become a German teacher later on.
After 1938, he focused on Folklore to be chaired the Department of it until he became part of the Department of Russian literature.
Vladimir Propp developed a Russian Formalist Approach to study and analyse fairy tales, where narratives structures were reduced to a series of actions performed by the dramatic characters in each story. Propp also argued that all fairy tales were constructed of certain plot elements, which he called "functions" that ocurred in an uniform sequence. These functions were absentation, interdiction, violation of interdiction, reconnaissance, delivery, trickery, complicity, villiany and lack, mediation, counter-action and the different roles of heros and villains could play in a story. Each function explained how they worked jointly, however, fairy tales also needed several other elements such as their respective plot, settings, tone, and characters in order to gain a cohesive and well-written tale for children.
Vladimir Propp died in 1970.
Bruno Bettelheim was born on August 28th in Viena in 1903. He was a controversial Austrian Psychoanalyst and Educational Psychologist who pioneered in the aplication of Psychoanalysis to the treatment of emotionally-disturbed children.
During his studies in Viena, Bruno was influenced by World War I, the Bolshevik Revolution, and Sigmund Freud who was the most important one for him since Bettelheim reflected interest in Psychoanalysis.
Bruno moved to United States, where he worked as a Psychologist and Psychiatric Professor at the University of Chicago in 1963. He viewed children's behaviour as resulting from overwhelmingly negative parents interacting with them during critical early stages in their Psychological development.
Afterwards, he published one of his book called "The Uses of Enchantment, which had a popular Psychoanalytical look at fairy tales. Bruno contributed that classic fairy tales had an unique importance and impact on children's development, which could be explored by studying their styles, characters and themes.
To begin with, styles were related to happy endings in which good was rewarded and evil was punished. Bruno explained that children felt more confident to believe in themselves and have hope as well. He also mentioned that happy endings satisfied children's spiritual desires.
Another characteristic of fairy tale style was the classic opening words "Once upon a time", Bruno made a comparison between real world and fantasy world where the youngest readers could release their spirit from the materialistic real world to the happy, vivid and innocent world of the fairy tale in order to become more optimistic in life.
Bettelheim mentioned the last issue about fairy tale style, the common use of "Three main characters" in many classic ones. The number gave children a sense of security because of their perfect and complete feature.
On the other hand, characters seemed to be a significant element in every fairy tale. They could be heros or heroines who must overcome many difficulties, challenges and obstacles in order to get triumph. According to Bruno Bettelheim, children tried to imitate their manners as well as their qualities to be successful in life.
Another indispensable type of character was the evils who played a violent role in fairy tales, affecting children's psyche. However, Bruno denied those negative effects produced by them because kids learnt that they must not do bad things to appeal punishmemts and they also learnt how to cope with their fears.
Last but not at least, the theme also played a primordial role in fairy tales. From Bruno's point of view, the theme depended on what the story was about and it transmited a meaningful message for kids to train and develop maturity and independence for the future.
Bruno Bettelheim died in 1990.
Maria Tatar was a Professor of Gernamic Languages and Literatures. She chaired the programme in Folklore and Mythology at Havard University, where she taught courses in German Studies, Folklore, and Children's literature.
Tatar was interested in how the fiary tales were first written down, what the cultural variants were, the ways in which the texts reflected the historical realities of another time and place and the Psychological effects. By providing children with powerful models for navigating reality, Maria showed, these tales helped children to survive in the world ruled by adults.
Tatar also believed that fairy tales were connected with all kind of adult secrets for they told children about death, romance, marriage and, in some cases, they would speak about sex and violence.
Fairy tales were often brutally violent but they acted as a therapy as well as entertainment for kids. Maria Tatar added that such violence helped little ones to face their fears, for which they did not yet the exact language developed. In fact, children were weak and vulnerable to control their anxieties, too. In that case, adults played an important role to clarify children fears through explanations, experience, among others.
At last, Tatar expressed that stories shared moral aspects, giving life's lessons and transmitting marvellous messages for kids. Nevertheless, she explained that moral was often added to fairy tales when they were rewritten for children.
Kieran Egan was born in Ireland in 1942, and he was brought up and educated in England. He graduated in 1966. During his career, he worked as a Professor in many Universities and he was also the Founder and Director of the Imaginative Education Research Group, where he found out Education involved some kind of development on children, especially intellectual tools, like Language or Mathematics and thus, their Psychological Process became more mature to acquire knowledge to learn and understand concepts in a better way.
Egan developed an Imaginative Approach to Teaching to help kids to become more knowledgeable and more creative in their thinking. In fact, that new approach offered an understanding of how children's imagination worked in learning and showed how children acquired cognitive tools to promote creativity in the classroom. To achieve that, educators could imply a variety of effective teaching tools such as story, rhythym, play, opposition, agency, and meta-narrative understanding to awaken kids' intelligence and imagination.
Futhermore, Kieran proposed the use of intellectual tools, particularly Language or Literacy to generate successive kinds of understanting, like somatic, mythic, romantic, philosophical, and ironic. Egan concluded that if teachers put into practice them, their way of teaching would change completely and children would be more engaged in the classroom.
Eventually, Egan focused on Teaching Core Literacy Skills using concepts ranging from fascinating to exotic to magnificient to wierd, so that kids internalized and retained material to interpret through their imagination and emotions pieces of reading and writing.
To put it briefly, each of these well-known professionals contributed through different techniques to the analysis of literature for children.
lunes, 22 de junio de 2009
"These famous people wrote for children"
Perrault had peculiar characteristics; he was able to take some English stories and translate them into French language, such as "The Sleeping Beauty in the Wood", "Little Red Riding Hood", "Blue Beard", "Cinderella", among others. Another one was whenever he published a book, he wrote his son's name, Pierre, and not his own name.
Charles published his first book in 1697, which contained eight simple stories called "Stories or Tales from Times Past with Morals adding at the front " Tales of Mother Goose". All his stories were well- known as well as his narratives, which belonged to stories-telling tradition transmitted and shared by a large number of generations. Charles Perrault also wrote verse narratives, for instance "Griselda", "The Ridiculous Wishes and Donkey Skin". Each of them was published separately, in 1691, 1693, and 1694 respectively.
Charles Perrault died in 1703.
Jacob Ludwig Carl Grimm and Whilhem Carl Grimm were brothers. The first one was born on January 4th in 1785 and the second one was born on February 24th in 1786, both in Hanau, Germany. The whole family moved to Steinau but then, both brothers moved to Kassel to stay with their aunt to start secondary school. Four years later, they studied law at the University Of Marburg where they recieved a prize for their tremendous scholarly work on linguistics, Folklore and mediaval studies to be published later on.
From 1842 to 1852, the Grimms continued their scholarly work and political activities, however, they gave up thier formal appoitments at the University Of Berlin in order to dedicate themselves to their own studies and research on what they were really interested in, "Folktales".
Grimm's brothers published their first volume called "Children' and Household Tales", which contained eighty six folktales. In 1814, they published the second volume with the same name, including seventy stories. There were also more than two hundred stories together with ten children legends in thier final version. It became the best known and most influencial book ever created in the German language. Then, they published two volumes about German legends called "Deutsche Sagen".
Jacob and Whilhem wrote many stories in German language since they wanted to preserve such material as part of German cultural and literary history, so that their tales came into the posession of the youngest readers.
Jacob died on September 20th in 1859 and Wilhelm died on December 16th in 1863.
Hans Christian Andersen was Danish who was born on April 2nd in 1805. When he was a child he lived in a small but self- satisfied provincial centre of Odense, his native town, where he spent his first fourteen years of his life. In the authography of his youth, "Levnedsbogen", Andersen emphasised the way of living in Odense, for instance the perservation about popular old customs and superstition unknown in Copenhagen. Apart from that, he wanted to appeal the disturbing social experiences from the lowest ranks of society in order to cast off the trammels of poverty, break with his social inheritance and just focus on what he was fond of "the world of art".
Once an ederly woman told Andersen that the folk tales would provide him a starting- point for his paraphrases of the old stories and for the tales he created himself. As his father had contact with the theatre, Andersen could acquire knowledge and fulfil his dreams and aspirations as well. There, he was the author of numerous plays, translator and adapter of foreign plays. In fact, he became famous in the mid of 1830`s when his novels and fairy tales enjoyed widespread circulation in Germany. His first text Andersen called a "fairy tale, giving it the title "From the Botton of the Ocean" which appeared in 1827 in Johan Ludvig Heiberg's literary magazine. However, it was not a real fairy tale but a fantastic story, a comic fantasy in verse. Then, the text was later incorporated as chapter twelve in his first book "Fodriese" in 1829. He published his first real fairy tale "Døgningen" (The Dead Man) together with his first collection of poems called "Digte"in 1830. Five years later, he completely rewrote a tale called "The Travelling Companion", using a style and narrative technique and then, his first two booklets appeared, which he called "Fairy tales told to the children".
Hans Andersen published six novels such as "The Improvisatore" (1835), "O.T" (1836), "Only a Fiddler" (1837), "The two Baronesses" (1848), "To be or not to be" (1857) and "Lucky Peer" (1870). Each of them was great hits and translated into many languages for all over the world. Andersen also published several collections of poems like "Phantasier og Skizzer" (Phantasies and Sketches - 1831), "Samlede Digte" (Collected poems - 1833), "Murersang" (1836). "Rosenknoppen" (1842), among others. Many Danish composers set music to Andersen's poems as did Edvard Greig and thus, children could enjoy all his poems as well as his fairy tales.
Ater several years of suffering from a serious illness, Hans Christian Andersen died on August 4th at "Rolighed", the country where he lived his final period of life.
miércoles, 17 de junio de 2009
jueves, 11 de junio de 2009
What is " literature for children"?
Literature for children includes fiction, legends, myths, poems, fables, riddles, oral folktales, ballads and things of the sort. Most of them written for young readers are illustrated.
However, in the XVIII century childhood was not considered an important period in human life, so children had not access to many literature's books. They only read those books that their teachers selected to deliver the lessons. Thus, children were mostly in touch with books focused on history, politics, science or religion.
In the XIX, childhood was discovered and a new emotional attachment, philosophical interest and investment in children were developed. Besides, the print was invented so kids were able to begin reading those stories that they had listened to for years.
In the XXI century, many writers believe that children develop a higher intellectual capacity through reading since literature allows them to learn how to express their own ideas, feelings and fears in a tremendous way. The most typical phrase that catches children attention is "Once upon a time". Literature can be explored by studying the different styles, the characters and the themes involved in stories.
To begin with, styles are represented by inevitable happy endings in which good is rewarded and evil is punished or by sad stories which leave the reader an important lesson or moral. For example, happy endings such as the one showed in “Little Red Riding Hood” compensate sad, anxious and painful feelings of readers and create confidence and hope in them.
In the second place, characters have a very important influence in literature. Some characters become heroes or heroines for children. Kids want to take after them and believe they will overcome difficulties, challenges or obstacles by acting as heroes. The idea that they will triumph in life is latent when they think and behave as heroes. Following heroes’ steps may be one of the most important goal children tend to pursue. An example of this appears in “Sleeping Beauty” where the moral shows that nothing is impossible if you have a valuable training before you get into society.
Last but not least the theme also plays a primordial role in literature books. The theme depends on what the story is about and it transmits a meaningful message. An example of theme is clearly seen in “The Frog King” where parents are taught not to treat their children like “pets”. The message conveyed by this story is to encourage kids to deal with their problems when they come up and to become more mature and independent for the future.
To conclude, writers assure that literature is an amazing hobbie for children since books give them the opportunity to discover and experience others aspects of language through different genres and not only by focusing on grammar exercises. Most of the students enjoy reading, especially fairy tales, poems and legends. When they read they spend a wonderful time with their partners. After reading, children usually share what they have read in class with their parents. In this way they discuss the style, the theme and the characters of the story and thus, they try think and understand how the world works and connect fantasy or non- fiction with reality.
